Notes
- Bouzouki and baglamas venture to use eastern scales without microtones, as well as common western scales
- Rebetika has a lot of Ottoman influence and Asia minor influences due to influx of refugees in the 1920s
- Improvisation, or taximis, used to be very important in early rebetika times, but became less important as the genre became more commercialized and focused on songs
- It started off in taverns with people just playing for the sake of playing, but quickly grew into a standardized genres with composers, virtuosos, etc.
- Trios tended to include bouzouki, baglamas, and guitar
- Bouzouki would do solos, baglamas and guitar would mostly accompany with rhythm and harmony
- There are a lot of common scales used in Rebetika music
- Major Scales
- Minor Scales
- Niavent
- Nigridz
- Bouselik
- Ousak
- Sabach
- There are a few common rhythms in Rebetika music
- Hasapiko
- Zeimpekiko
- Tsifteteli
- I’d like to now know when to use specific scales (for which type of music)
Videos and Audio
Full Lesson
Baglamas & Rebetika Lesson 1.m4a
Improvisation on Ousak with Tsifsteteli
Organizing my Learning